Twenty years after their notorious tabloid romance gripped the nation, a married couple buckles under the pressure when an actress arrives to do research for a film about their past.

When Wyatt returns home for the holidays to try to convince his mom to sell their family ranch, an unexpected romance with handsome ranch hand Heath may throw off his plans.

For many years, four teenage orphans at an Australian outback convent have watched their younger comrades find new parents, and realize that they may never be adopted. The Reverend Mother sends the four boys away on a seaside vacation, where they meet Teresa and Fearless, a couple who would make perfect parents. The youths compete with one another to be the one Teresa and Fearless decide to adopt.

One Day at a Time is an American situation comedy that aired on the CBS network from December 16, 1975, until May 28, 1984. It starred Bonnie Franklin as Ann Romano, a divorced mother who moves to Indianapolis with her two teenage daughters Julie and Barbara Cooper with Dwayne Schneider as their building superintendent.

The show was created by Whitney Blake and Allan Manings, a husband-and-wife writing duo who were both actors in the 1950s and 1960s. The show was based on Whitney Blake’s own life as a single mother, raising her child, future actress Meredith Baxter. The show was developed by Norman Lear and was produced by T.A.T. Communications Company, Allwhit, Inc., and later Embassy Television.

Like many shows developed by Lear, One Day at a Time was more of a comedy-drama, using its half-hour to tackle serious issues in life and relationships, particularly those related to second wave feminism. The earlier seasons in particular featured several multi-part episodes, serious topics, and dramatic moments. As in other Lear shows of the era, the show was shot on videotape in front of a live audience, giving it a sense of immediacy, and close-ups were often employed during dramatic scenes. As the social climate changed in the 1980s, the show’s writing became less edgy, and as the girls became adults, the innovation of the original premise — a divorced mother raising teenage children — was lost. The show’s nine years give it the second-longest tenure of any Lear-developed sitcom under its original name, after The Jeffersons.

On December 31st, the Earth will be destroyed. Everything you know will become nothing. Maybe it already has.

Predicated on a May-December romance. The difference here is that the woman, attractive widow Cary Scott, is considerably older than the man, handsome gardener-landscaper Ron Kirby. Throwing conventional behavior to the winds and facing social ostracism, Cary pursues her romance with Ron, who is unjustly perceived as a fortune-hunter by Cary’s friends and family — especially her priggish brother Ned.

We were warned in an ancient Mayan prophecy that the 21st December 2012 would be the beginning of the end, but not how and where this new era would unveil itself. Until now.

Part-time pianist Monty Fagan begins a May-December romance that upends his home life.

Friends since high school, 20-somethings Kaleil Isaza Tuzman and Tom Herman have an idea: a Web site for people to conduct business with municipal governments. This documentary tracks the rise and fall of govWorks.com from May of 1999 to December of 2000, and the trials the business brings to the relationship of these best friends. Kaleil raises the money, Tom’s the technical chief. A third partner wants a buy out; girlfriends come and go; Tom’s daughter needs attention. And always the need for cash and for improving the site. Venture capital comes in by the millions. Kaleil is on C-SPAN, CNN, and magazine covers. Will the business or the friendship crash first?

On a bitterly cold December night, a paranormal investigations team has set their sights on the bloody Hillcrest Sanatorium to answer the age old question: Is there life after death? With rumours of hauntings and local children gone missing, they may just get their answer the hard way when members of the team mysteriously disappear, leaving behind unnerving evidence.

It revolves around Glory (Angel), a 52-year-old woman who falls in love with Niko (Tony), a guy 30 years her junior. They start a risqué May-December love affair, but will struggle to keep their relationship intact amidst social disapproval and judgment.